Apophenia

Apophenia /æpɵˈfiːniə/ is the experience of seeing meaningful patterns or connections in random or meaningless data.Wikipedia
'The rule is, jam to-morrow and jam yesterday--but never jam to-day.'
'It MUST come sometimes to "jam to-day,"' Alice objected.
'No, it can't,' said the Queen. 'It's jam every OTHER day: to-day isn't any OTHER day, you know.'
'I don't understand you,' said Alice. 'It's dreadfully confusing!'
'That's the effect of living backwards,' the Queen said kindly: 'it always makes one a little giddy at first--'
'Living backwards!' Alice repeated in great astonishment. 'I never heard of such a thing!'
'--but there's one great advantage in it, that one's memory works both ways.'
'I'm sure MINE only works one way,' Alice remarked. 'I can't remember things before they happen.'It's a poor sort of memory that only works backwards,' the Queen remarked.Lewis Carol  illustration Jessica Wilcox 1923
The Small format tapestry I finished yesterday is  called “There has got to be a morning after?”, size- 4 inches by 6 inches. I have one more left in this series of 2. I assume a series can be only two much like one can’t become a serial killer until they have killed 3 times.I suppose there does need to be rules about such things.   I began working on it today for a few hours. It is a sunrise of a mountain, clouds and the end of a burn. Also, 4 by 6 inches. These 2 pieces are all about something that happened when I was in high school camping with my family and a wildfire that crowned close by. We were trapped for a while and later evacuated. The second is of  the breaking daylight over a mountain and it’s uncanny stillness the morning after.
I am staring at the keys of my computer keyboard trying to figure out where the start of this blog should be. Not exactly overwhelmed but not underwhelmed either with the time between this and my last blog. I have been rather ill for the last month. One random event lead to another to create a series of events. To quote one source “Concurrent events that first appear to be coincidental but later turn out to be causally related are termed in coincident.” But according to Jung life is not a series of random events but rather an expression of a deeper order, which he  referred to as Unus mundus. On the other hand there is a psychiatric condition called Apophenia which probably really applies to this last 6 months.
 One of the things that happens when I am spending to much time being sick is I have a tendency to read things that may or may not be nonsensical or very random.
still not finished, but further along then last time
Reading always makes me feel better.
So I have had an orgy of reading for the last month. So some of the books I found to read  in the last month are: 4-5 cheap-in the Victorian sense- novels that I refuse/embarrassed to name,  Jungs: Man and His Symbols, and Memories,  Dreams and Reflections(couldn’t find a copy of The Red book) I am never quite sure if I really understand Jung or if I just enjoy feeling confused like  some do feeling scared. Interesting thought comparing Jung to Stephen King.   The Black Count(the real count of Monte Cristo) by-Reiss,(I think I have read every book by his Grandson-Alexander) The Burges Tapestry by Staies, Annotated Grimm's Fairy Tale, Persian Carpets by Volmar Gantzhorn(which turned out to be the most interesting of everything I read. It is a comprehensive history of rugs and how the designs influenced other crafts from a slightly Armenian bent.
I received a gift of a beautiful book A Passion for roses; The note books of Henri Delbard with Watercolours by Fabrice Moireau(It’s so beautiful
I can’t stop looking at it. Thanks Diane K.) AND a copy from Don Norris of his new book on beginning Silversmithing. (Great job!!!! Don. I am fascinated by it. Don is my favourite silversmithing teacher)
Tuesday I find out if I am well enough/healed enough to go back to exercising and other things that have been held on hold for a month. One of the biggest is finishing up the house re-do and my spring gardening/clean-up.

So Why have I had so much time to read?
It all started with my getting my teeth cleaned. Something I do 3 times a year and ends I hope with my being able to get rid of an infection left over from the oral surgery to repair a rather large hole that was punched into my sinus by something that was supposed to be “no big deal”. All because my original Dentist failed to see a rather large cavity on a back molar that she should have been able to see for about 4 years in the 12 times that she supposedly cleaned my teeth at a cost of 268.00 each time. This year has been on surprise after another beginning with my Dad’s death In December. Actually it may have started earlier then that like in September-a long dry hot spell the necessitated a new roof in the middle of terrible down pours-finally settled on just doing the half that was leaking torrents of water into a newly remodeled laundry room from there it’s been one in coincident .
Found another soumack and tapestry rug. Some of it’s in rough shape, but for the most part good enuff to study. Perhaps, I’ll make it into a smaller rug, but for now I sit on the floor and study it. 
There is one part that is totally shredded, but the shredding allows me to see how the technique may have been done. The actual colour of the weft was most likely the colour of the reverse side below, Beautiful colours.What it shows me when I look at the shredding is that these particular squares were actually a form of double weave-two warps used as one warp-in a 1-2-3-2-1 diamond shape. The vertical  and diagonal lines lines are soumack.  The red sample is done in the same way with the exception of the two red and white borders being soumack.

Teaching in California at Inland Empire Hand Weavers guild was so much fun.
It was so odd to see spring in the flats or almost spring and then look up and  see snow on the hills behind us . It was interesting. Meant some very interesting people that I would love to run into again. It was a large group 13-14 participants.  The highlight of the trip-one of them-was the partial destruction of my computer by the airlines.  Good news is I am replacing it. The dent knocked something loose and it was like it  had developed dementia or Alzheimer's. It would loose itself in time and totally mess up whatever program it was working in, I ended up retrieving portions 3 PowerPoint presentations to combine into two lectures. So,   much for the airlines being gentle with the carry on they confiscated. Janet Castro had made sure that all of the looms were warped in advance so we were able to cover a lot of ground in the class. It was a mixed level class. The colour blending's were incredibly beautiful that the participants wove especially the mélange and and chene’ samples.
Finally, last put not least-Two of my students work I have pictures of some of !First--Cathie Beckman's work that she did while in the studio(Jacob's Rose-one of the most difficult coloured roses to weave) and two of her calendar flowers. The Jacob’s rose was taken while still on the loom and the other are finished work.



The second student is one of my blog students Patti Kirsch. These are samples that she did illustrating one of the exercises we are doing in on colour theory. I am doing the exercises with her that will be included in the new Colour Theory book that Pat Spark and I are working on.
Time to end! Before I am really late and Chene” becomes to bored


Cheers and all,
kathe

Only a little later but the Nasties are blooming

bobbns
I am having such a great summer. I am 5 days later then I should be in writing my blog. But, I have a great excuse-For once it wasn’t my problem or procrastination. My husband Spencer had a rather sudden  burning desire to go see his brother Mike in Great Falls. So we did! Didn’t bother me in the least. I love talking to Maggie(sister-in-law)Lolo pass and 4th of July pass, the emptiness and wildness.  So we went for a long weekend.
I Love Great Falls
in the summer, because it reminds me of my childhood summers in College Place. But, not so much in the winter. I am fascinated by the turn of the century brick buildings, wide streets and old houses, Art Deco Fair buildings and weird finned swimming buffaloes AND, of course, we went to the State Fair. I was able to keep to my goal of learning how to use the camera effectively on my i-phone. Still keep cutting off heads with it. So, I have some great pictures to work into tapestries-if I ever finish the piece I am working on.  


Being on the edge of nowhere
and looking out towards the dry grass and wheat  lands. The sky really is bigger and brighter there. Oops, also saw a forest fire near Rogers Pass.  Summer has it’s own particular smells.  I hate it in the winter- cold AND SNOW--come to think about it I didn’t much like  College Place in the winter-either.  It’s a trip we used to make in a day-each way-now we make it in 2 days. We brought home Walla Walla Sweets for onion soup and Gramma’s Lakota  pot au feu that goes on for days, blackberries for cobbler and fry bread with honey. And Antique metal work frills for the remodel that I hope to be done with by the last of September

Unfortunately, reality eventually has to bite. Reality meant that I lost 5 days of weaving and will loose another 4 days to what was to be my reward for finishing  “..and HE...” 4 days of intermediate level  silversmithing classes with Don Norris, but I am not such a glutton for punishment that I’ll deny myself the pleasure of the classes just because I missed a deadline. I’ll  just work a few more hours everyday weaving-“right,” she said sarcastically to whom ever would listen. 
So I’ll need to add another 5 days to my schedule. I think after I finish the lettering I’ll be about 90% of the way finished.  Which means I am still not finished with “…And HE…” This is the piece that I was going to do 5 feet wide 6.5 feet tall on my large Shannock. The design seems to have gone on forever.  It set on the loom for 3-4 years until I had an epiphany about needing to weave it in sewing thread and no wool. It lead to me selling my large Shannock. It just needs to be done!! I keep asking myself if I could have broken the design into smaller pieces or a series of small format pieces. Second guessing doesn’t seem to help it go any quicker.  I don’t think it could have been. It’s definitely not a decorative piece. It tells a story. It has a narrative. Something I need to say to myself.  There was a time that I though I could have broken the piece in half and still had a beautiful floral piece, but it would have lost all/ most of it’s impact, power and meaning. This quote keeps running through my head and journal and today it showed up on face book.-“Until you make the unconscious conscious it will direct your life and you will call it fate.”Carl Jung It keeps be stubbornly not wanting to give up on it.
So what’s new in the piece. I have started the scroll and am using linen thread to give it a different texture then the sewing and embroidery threads. I have started the gold  soumack arabesque on the right side of the scroll. Gold threads can be a tad difficult to deal with especially those done in the style of aurum filatum. The weft bundles wear very easily, because it is generally a paper or gold foil wrapped around a core of line cotton or polyester. It seems to be best not to us a bobbin tip or beat down to hard on the weft soumack  twiner because it takes very little to wear through and unspin the gold. I am using 6-8 inch lengths of weft.  I am also knotting the weft every 3-4 inches with an overhand knot to help keep it under control when doing the soumack twists. The letters are much easier. They are vertical soumack done in the smaller perle cotton-The up rights are one warp wide.

The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines,[1] often combined with other elements.- def. liberated from Wikipedia

Ridging in tapestry.
There are two different types of ridging in tapestry-one good and one not so good...
1. The ridge structure is actually a rib structure that is created by changing the shed and weaving multiple passes one on top of another. The valleys between the higher part of the rib is caused when the weft passes to the back of the warp. The rib or hill is created when the weft passes in front. The rib and valley structure run up the length of the warps. Rib structure and size is controlled by the size of warp, the size of the weft and the distance between two warps.Please note in this example the rib structure is woven at both 10epi and 5 epi by doubling up the warps to change the rib structure.
Generally tapestry is considered to be an unbalanced weave structure more weft shows then warp. In a perfect world the warp size equals the distance between two warps and  warps equals the size of the weft bundles-sort of. There are reasons you might wish to unbalance one of the elements.  To give an example-If you are weaving at 10 epi you can generally use a 12/6 or a 12/9 cotton seine twine with a bundle of 4 needlepoint yarns or paternayan.,5-6 Norwegian Elv yarns or Australian 20/2 wool. 12/6 will generally accept more passes in an inch allowing for more turns or hatches or hachures then 12/9. Because a 12/6 is smaller and there is slightly more weft in an inch of weaving the tapestry is more drapable. The 12/9 because it is larger and thicker will take fewer passes and be stiffer. The hand of the fabric is less drapable. You could work 2 warps together as one to change the weft and warp structure for texture or to allow a larger weft bundle with many more elements in the weft bundle. The hand of the fabric will be softer the when it is woven at 10 epi.  Another reason to unbalance the weft bundle is suppose you are working in a very detailed area you may need more passes in a given a space for detail or may need to have more hatches or hachures in a given area. Note eyelashes, chin and collar for very small hatches that were less then half the weft bundle in order to double up the amount of hatches in a given area. By making the weft bundle smaller you can get more passes of the weft bundle in a given area.
The rib structure can be and often is  flattened by pressing with a damp cloth. I prefer to not mess with the rib structure because in doing so you mess with the natural properties if inter-inflection and reflection of the light and colour that is inherent in the wools and fibers used to create tapestry that give a sort of inner glow as the light is captured in the hairy properties of the weft and the rib structure of the tapestry.So this type of ridging or rib structure is a good thing.
The second type of ridging or organ pipes is caused by adding to much weft in a pass or half pass
Notice the organ pipes in the grey background.on the  right. I now know that all I would have had to do to get rid of the pipes would have been to use less weft in the  bubble and tighten my warp so the piece would have woven without the wefts shifting. Often times tapestry weavers will have a tendency to add more weft or a larger weft bubble going in a specific direction creating pipes. If you know you do this you can always watch that particular half pass closer and correct as you go.


Hopefully, by looking closely you  can see that there are 2 distinct areas of pipes on this piece. The first set is just basically organ pipes caused from using too much weft in the sleeve or cape above the hand. This could have easily been cured by using less weft in my bubble.
In the upper right hand corner is a type of organ pipe that is caused by weaving to close to the top bar that had been warped in a figure 8 pattern. As the warps or shed warps became further apart it took more weft to cover the warps because they were pulled further apart by the shed.
There is a fairly easy solution that I didn’t understand when I wove this piece. Completely loosen the warp, twine from side right above the fell line. use a fork pick the twining up and move it to the top of the loom right under the cross bar. You could also pick  a shed and  place a stick or batten  in the closed shed under the twining and push the twining up to the top bar of the loom-effectively keeping the shed closed. Retighten the warp and weave the tapestry to the top. On a small loom you may need to needle weave the last passes. A small aside- This piece pulled in because I tried to weave it from side to side with one bobbin. If I had broken up the area into several smaller areas and wove them in the same colour using hatches or lazy lines the tapestry would not have woven in. Adding bobbins in a plain colour area shoves the woven areas out ass the turns place more weft in a smaller area rather then pulling in.
Illustrations and pictures are copyrighted images from the book Tapestry 101 and were created by Pat Spark.

Guess that’s all for now. Hopefully in 2 weeks I can say and he is finished.
Cheers,
kathe
PS. These are wild Hollyhocks and usually stand 6-7 feet tall, but have decided to creep along the edge of my new herb garden, Who would have guessed.